This show was like crack, I burned through both seasons in less than a week. Fast paced, full throttle, over the top storytelling with only a few bits of filler. In fact, I'd say the series was too short, they could have made the whole arc at least 3 to 4 seasons instead of compressing it into 2. So, I'll get a few cons out of the way first, before I start with the endless praises (review may ...
This show was like crack, I burned through both seasons in less than a week. Fast paced, full throttle, over the top storytelling with only a few bits of filler. In fact, I'd say the series was too short, they could have made the whole arc at least 3 to 4 seasons instead of compressing it into 2. So, I'll get a few cons out of the way first, before I start with the endless praises (review may contain spoilers):
Again, too short. Several arcs could have been expanded upon, several events given way more backstory, but the show is paced to go from one dramatic cliff-hanger to the next so a lot things are given short thrift. As mentioned by other reviewers, any weaknesses in the plot are basically left in the dust as the story barrels through to the next jaw-dropping event.
Some annoying cliches being overused: friends becoming enemies, enemies becoming friends/lovers, whole avoidable bloodbaths that only happen because the characters don't even pause to listen to each other's monologues for a moment--though I think they play up these cliches for yuks (spoiler--it's so ridiculous at one point, that both sides COMPLETELY switch sides for a final battle, to somewhat hilarious effect, plus his beloved pacifist sister flipping to Oppenhiemer level of nuclear genocide in order to stop her brother due to a misunderstanding that could have been resolved with literally 5 seconds of just stopping for a moment and touching base) At least they didn't have Lynn Minmei singing a love song as they attacked the fortress.
Now to the good stuff: this show ROCKS. It is a melding of Gundam style mech storyline with your usual cadre of honorable warriors, career soldiers, weasels, psycho killers, nerdy scientists, cute schoolgirl archetypes combined with girl's manga-esque fascination with svelte pretty boys, feudal hierarchy and Machiavellian machinations. From the first episode, the storyline is an adrenaline rush of one suspenseful moment to another as you follow the highs and lows of one of the best conflicted hero protagonists ever to grace the anime screen--Lelouch is a melding of Char Aznable, Captain Harlock, Phantom of the Opera, Elric of Melnebone, Spartacus and a dozen other archetypal characters who ranges from pathos, genius, self-pity, darkness, selfless ambition, arrogance, anger, vengeful pride, compassion and ultimate matyrdom. Lelouch chews the scenery and is the heart and soul of this show. If a live actor were to perform this character, it would require Oscar level talent to do Lelouch justice without descending into utter camp (although in the anime, there are times where they let him get a bit too campy, especially the wicked laugh and crazy eyes he peels out once in a while).
Now, another reviewer here mentioned some similarity to the villian of Death Note, Light, and that he actually had more sympathy for Light, which i find shocking. For the first part, Lelouch clearly displays dismay, doubt and confusion throughout the show. The series develops his backstory to show that his mother's murder, being a fallen scion of a screwed up fascistic royal bloodline, abandonment in war torn Japan and witness to the atrocities of war has traumatized him deeply. Further traumas await him, and even though he doesn't always acknowledge the deaths he causes and is a bit cavalier at times, they show Lelouch as being sorrowful (mostly) about any innocent human losses. Light in the first few episodes of Death Note sends a woman to a lonely death, after coldly killing her husband, without a semblance of self-doubt or compassion. And as far as I could tell from the early episodes of Death Note, Light doesn't have a traumatic back-story like Lelouch's right off the bat to excuse his homicidal megalomania (I didn't watch all of Death Note, so they may have developed that later but even if they did, I don't know how you can compare cold blooded murder with mostly collateral damage--although that cannot excuse the actual crimes LeLouch does commit in his pursuit of vengeance/justice).
That's another thing I liked about this show, how it depicts that even a well deserved victory may have unconscionable costs, how even in winning, the characters were losing. Too many stories take the easy way out, or gloss over the atrocities committed in the name of a cause. This show doesn't blink when it depicts the depths Lelouch may be forced to go to achieve his goals. And especially important, it doesn't absolve him from guilt. that's why the ultimate ending the way it was setup was mandatory. Long live Zero! Long live LeLouch!
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