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piano tips!
Posted 1/22/08 , edited 12/14/08
If you want to Sight-Read Any ♪Music♪... check out these tips!!


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1 Develop Your “Relative” Sense of Touch.

Acquire the skill of playing so that you don’t need to look down at your hands. Without looking at the keyboard, glide your hands so you feel the two and three black keys (like Braille.) When you need a C, D, or E, feel for the “2s.” When you need an F, G, A, or B, feel for the “3s.” Most good sight-readers don’t need to look at their hands while they play and this drill teaches you how to find any note without looking at your hands. Then you will be able to keep your eyes on the music and look ahead and this will greatly speed up your sight-reading.

2 Develop Your “Absolute” Sense of Touch.

Always sit in the same place. Middle “D” is recommended because it creates a symmetrical pattern in both directions. Sometimes you may need to make a page turn or your hand will jump from a high position to a low position on the keyboard. It is handy to not have to look down to find the correct position in these cases. By always sitting the same place at the piano, you will develop a physiological memory of all 88 keys on the piano!

3 Practice Finger Technique Without Looking at Your Hands.

A creative way to do this is to play your scales and arpeggios in the dark. This will add confidence to your sense of touch. This exercise is to further enhance tactile awareness that is developed in steps 1 and 2.

4 Learn the Four Groups of the Lines and Spaces:

Lines in the Treble “E G B D F”
Lines in the Bass “G B D F A”
Spaces in the Treble “F A C E”
Spaces in the Bass “A C E G”

Try to just learn these without the typical slogans: “Every Good Boy Does Fine,” or similar phrases. Each time you attempt to read a note using these slogans, you have to go through a 2-step process which seriously slows-down your speed. Just memorize the groups as fast a possible by saying them out loud frequently.

5 Practice Only the Rhythmic Information.

In a composition you are working on, ignore the correct pitches. Just play the rhythmic infomation of the piece on any notes. Your brain will enjoy the ability to work on just one thing.

6 Practice Only the Pitch and Fingering Information.


In a composition you are working on, ignore the correct rhythm. Just play the correct pitches along with the correct fingering. Don’t try to play in time here. This way, you can focus on just the right notes with the right fingers. your brain will enjoy the ability narrow its focus. Eventually, you will be able to play the right notes with the right fingering and with the right rhythm all at the same time!

7 Play Easy Pieces up to Tempo.

Force yourself to keep going no matter what. Don’t worry about mistakes. This helps you to look ahead.

8 Play Difficult Pieces Super Slowly.


Don’t dare make even one mistake. This helps to develop accuracy.

9 Look For Patterns in Music.

Don’t be afraid to look way ahead for a second just so you can anticipate what will be easy or difficult. Patterns make it easy. If you detect a pattern then you can devote your concentration to other things.

10 Study Music Theory.


Professional sight-readers never read every note! They get a sense of the overall chord and “fill-in” the blanks. With a solid knowledge of music theory, this becomes natural and immediate.



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Ohhh... and this is thanks to http://www.soundfeelings.com/free/music-reading.htm (cant find the author)



Sooo i basically posted this because when I play piano by ear (it means its easier to play by listening to the song than reading notes since im slow) but only the melody... sooo if you have any tips to play piano, please post it here... i will post more tips when i find them or think of more...

(I make the big assumption on that this particular tip was not written by yourself (seeing that you do not have a tendency to post in Upper case.). Please credit the original author, and provide a link to the website. - Fae)



ok... I'm posting a website for chords you don't understand... you can check it here http://www.looknohands.com/chordhouse/piano/

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Posted 1/22/08
Uhhh... this is the anime section yo
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Posted 1/22/08

Styluz wrote:

Uhhh... this is the anime section yo


she knows that, read.
Posted 1/22/08

ABalloon wrote:


Styluz wrote:

Uhhh... this is the anime section yo


she knows that, read.


ummmm, you meant he
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Posted 1/22/08
Yeah he just edited it too and I saw it aswell.. thks for reminding me, again
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Posted 1/22/08

Styluz wrote:

Yeah he just edited it too and I saw it aswell.. thks for reminding me, again


cool cool :)

I made mistake too, sorry about your gender
Posted 1/22/08
ok!!! nii-paah
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Posted 1/22/08
what does nii-paah mean?
Posted 1/22/08

ABalloon wrote:

what does nii-paah mean?


lol... expression!!! its my after sentence expression... nii-pahh... (lets not talk here, it might get locked for getting far from the topic
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Posted 1/23/08
nii-pahh is an expression copied from Higurashi's Rika.
Posted 1/23/08
1 of my buddies should read this.
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Posted 1/23/08
Um, well for those who play piano or learn theory, heres a easy way to remember the order of sharps:
Father Charles Goes Down And Ends Battle (Order of sharps)
Goes Down And Ends Battle Father Charles (Order of keys)

E.G G+ = F# because "Goes" is the first and by the order of sharps since it only has one sharp, is "Father" which is F#.

B E A D Greatest Common Fraction (Order of flats)
Fraction B E A D Greatest Common (Order of keys)

E.G F+ = Bb Just remember, if the key has its own letter names flat/sharp, than its for example... B has B flat in its key so it would be B flat major.
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Posted 1/23/08
practice practice and yet more practice...oh wait, and more practice...(trust me, i would know)
my life is pretty music intensive...
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Posted 1/24/08
that looks pretty useful and ive got my 2nd piano diploma exam this september
welook 
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Posted 1/24/08
nice tips i gotta write it down
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