I don't know the original 4 window manga. I watched all 13 episodes in one go, without subtitles. I watched Saki a few days before this.
My summary.
A collection of insightful and aesthetic inspiration that comes from a shy high school girl's curiosity of the world around her.
Storyline. 5
Animes that arise from 4 window mangas rarely ever fail story-wise. There's Lucky Star with its crazy ...
I don't know the original 4 window manga. I watched all 13 episodes in one go, without subtitles. I watched Saki a few days before this.
My summary.
A collection of insightful and aesthetic inspiration that comes from a shy high school girl's curiosity of the world around her.
Storyline. 5
Animes that arise from 4 window mangas rarely ever fail story-wise. There's Lucky Star with its crazy otaku neta, Azumanga Daioh with its extraordinary average high school life, the SHAFT style Hidamari Sketch, etc. This one in particular is astounding in that it resorts to no moe despite its broadcasting year of 2007, and instead resorts to the elementary essence of 4 window manga comedy to elaborately decorate a solid backbone based on the concept of the peace of life. There is neither a main plot,nor a series of character-oriented stories. The staff succeeds in expressing the main concept of a my-paced and calming impression of life, not just through the growth of the protagonist or general human life, but also through the entirety of nature as well (and cats of course). The moral of this anime is analogous to that of The Phantom Tollbooth, the novel. Realize, recognize the world around you. This anime makes good use of the idea of art, and the symbolic meaning of a sketchbook. I can make no complaints about the quality and fulfillment of the staff's efforts in conveying their significant concept.
Although I watched all 13 episodes in one go, this anime shouldn't really be watched that way. Its rewatch value is extremely high, because this anime's concept is something that can always be referred to throughout your life. I would love to watch a random episode from this anime when I feel tired from everyday life. It would remind me of the peace and quiet that can be found in the nature around you.
Music. 4.5
The main OP and ED are both memorable, and very fitting to the anime's concept. Not to mention, Yui-san is one of my favorite singers/voice actresses. I never dared to skip the OP or ED once, in fear of missing the slight changes that the OP and ED go through as the protagonist's conscious world grows. The bgm and insert songs within this anime are fabulous, much like the Koppepan (Lucky Star) and various Key/Visual Arts songs from animes like CLANNAD.
Characters. 4
Going back to one of the unique elements of this anime, there is no moe emphasized in any character for the sake of variant characterization. Every character has a humane personality, and shows differences and variation in a way that's similar to Azumanga Daioh (although there is no 10 year old high schooler). What I like more however, is that non-human subjects, (in this case, cats) were used to appeal the primary concept of this anime. Imagining life as viewed from a stray cat sheds the same surroundings a new light.
I have one complaint, and that's the voice actress for the foreigner. The voice actress is clearly Japanese, and is showing off a bad example of a national stereotype concerning foreign Japanese pronounciation. Patty from Lucky Star is another bad example. This voice actress also works primarily in the visual novel branch of animation projects. I would have preferred they hired an actual Canadian (or something close) that spoke Japanese. It's not that hard to find one these days. CLANNAD After Story's foreign voice actor for the worker at the electronics office is an excellent asset of more accurate foreign Japanese (though it was more mideastern than Canadian in accent).
Animation. 4.5
Amazing motion works, and a high rate of consistency concerning general structure. The background may at first glance be a bit rough, but to me, it seems more fitting to the idea that it "looks sketchy" as if it was the world from the protagonist's eyes and imagination. The image style for the characters was great, and the animation held facial proportions fantastically, regardless of the amount of (= =) faces. I believe that some of the motion concerning the sketchbook art was CG oriented (objects with sketchbook texture on the surface), but it was hidden very well. The fireworks CG blended well and wasn't discreet or awkward in any way. The smoothness of the raw animation in episode 11 was quite memorable.
Overall 4.5
Grand anime. A bit short unfortunately, but the concept comes through with depth and understanding. Definitely an anime that I would rewatch periodically, perhaps with my family.
Key bullets.
-Watch it if you like Azumanga Daioh.
-Watch it any way, because there's nothing bad about this anime in general.
-Don't watch it if you can't appreciate the concept of this anime (peaceful life)
-If you're annoyed by the pace of this anime, you should get some calcium.
If I were to make a claim towards this anime, it would not be the anime itself but the subtitles. Unfortunately, there is a limit to how much English can do in accurately and precisely translating the variant expression of Japanese. The Japanese dialects spoken in Kyuushuu give certain characters a very unique aura so-to-speak. Considering a 4 window manga, one must be able to identify the 3 rise windows and the 4th ochi in a comedic structure to get the full laughter. It is impossible to translate a dajare (a type of Japanese wordplay) into English while maintaining its comedic value. There are also many neta (which means source of comedy) that relate to Japanese common sense/knowledge not found in the US. If you are to watch this, I would recommend you either learn fluent Japanese, or rewatch it again after you've learned Japanese to understand the true value of what I'm saying here.
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