If ya actually look through this, excuse me ahead of time for relative long-windedness; I was just really excited when they threw this program up on crunchyroll, and I think this show really merits viewing for multiple reasons.
Arakawa Under the Bridge operates, for me, on both the thematic and comedic levels. The relationship between the main character, Ichinomiya Kou, and the ...
If ya actually look through this, excuse me ahead of time for relative long-windedness; I was just really excited when they threw this program up on crunchyroll, and I think this show really merits viewing for multiple reasons.
Arakawa Under the Bridge operates, for me, on both the thematic and comedic levels. The relationship between the main character, Ichinomiya Kou, and the community of eccentrics by the Arakawa is, in my opinion, an interesting and surprising exploration of capitalism and communalism as it impacts people on the individual level. In Ichinomiya we are presented with the capitalist reified, born of a great conglomerate and into a family of economic expectation. His father was a businessman, and he will be a businessman. But Ichinomiya doesn't just have the money and connections - he comes loaded with an ideology that is not directly about capital (or even frugality) as it is about self-reliance.
Kou's self-reliance is so hyperbolic that it at first just appears to be a joke. But it's not just for comedic effect - by tying a man of money to a ridiculous ideology of self-reliance, the show is engaging in a rather smart satire of the logical moral conclusions of neo-classical capitalism. While taking a page from Weber and Durkheim, Arakawa Under the Bridge quietly suggests that the self-reliance and individuality that has permeated capitalism since the Protestants is actually a socialized ideology of conformity; that, ironically, true individualism is actually achieved when bolstered by a community. The individual is not suffocated by group solidarity, but is forged by it. In this show, the self-reliant person is a joke, a papa's boy, while the true individual is a part of the community.
That's one-half of what draws me to the show. The other half is that it's damn funny. Directed by Shinbo Akiyuki of Bakemonogatari and Sayonara, Zetsubou-Sensei fame, the show slaps you over the head with absurdist jokes, camera pans, and character designs. Each character has a wild personality that just adds more fuel to the fire, and some of the referential material (I suppose being almost all the material) flies close to inspired. Theme aside, it's just a funny show for anyone who's bonkers for references, visual humor, and kappas.
Granted you like crazy shiz, there's only one downside I can foresee, one that's been remarked upon before; the characters. Don't get me wrong; they can be damn funny, and Hoshi has got to be one of my favorite comedy characters of any anime, if not any show. But if you're looking for a more emotionally enriching experience, don't bother. Kou's the only bloke who gets serious development, at least in the first season, and I mean that literally - he's the only person. This is in spite of the fact that some characters are truly intriguing. I found myself wishing for more on Nino (the blond beside Kou in the poster), as her hints speak to a fascinating psychology and backstory that could have served a great foil to Kou's own evolution.
This show is really more of a 4.5 than a 5, but that's quibbling, and why knock a good thing? I think it's intellectually interesting, and it's damn funny. Give it a shot - I bet you'll like it too.
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