After watching Aoi Hana and others (not to mention Maria-sama watches over us), I thought I had a pretty good handle on the whole "girl's love" thing in anime. But this is the first time I've seen a shoujo-ai comedy. Trying to compare this show with Aoi Hana is like trying to compare wine with beer.
Sasameki Koto is the story of Ushio, an extroverted lesbian who is constantly looking for a ...
After watching Aoi Hana and others (not to mention Maria-sama watches over us), I thought I had a pretty good handle on the whole "girl's love" thing in anime. But this is the first time I've seen a shoujo-ai comedy. Trying to compare this show with Aoi Hana is like trying to compare wine with beer.
Sasameki Koto is the story of Ushio, an extroverted lesbian who is constantly looking for a "cute girl" to hook up with, and her large, athletic, life-long friend Sumika who is good looking, but doesn't fit Ushio's goth-lolita image of her future girlfriend. The internal conflict is that Sumika has a girl's love crush on Ushio that she has never been able to confess. But rather than taking a dramatic turn with lots of sobbing and meaningful glances, this anime plays the conflict for absurdist laughs. There has been at least one out and out belly laugh for me in each of the first three episodes. While the story plays off of a lot of traditional anime comedy tropes such as the cross-dressing student or the first kiss, Sasameki Koto manages to juxtapose these in new and endearing ways.
The animation style is fairly conventional. None of Aoi Hana's pastel watercolors here. The colors are bright, bold and well defined, approaching those of To Aru Majutsu no Index, but not quite so detailed. A few more short-cuts have been taken, but none really hurt the overall feel of the story. There's plenty of superdeformed and chibi work as well, when the animators want to exaggerate the emotions of a scene for comedic effect.
The characters are appealing both in their personalities and designs. The personalities aren't overly complex, but they aren't one-dimensional, either. As I mentioned earlier, Sumika is pretty good looking in an Amazonian way, and the other characters each have their own appeal. Ushio is a bit of an air-head who is frequently self-centered, but eventually she catches on. The supporting cast also have their day from the class' secret magazine model to the other girls' couple in the class.
The opening theme is a nice song with a nostalgic feel that seems like it would go better with Aoi Hana. It doesn't seem to fit well with the more energetic anime storyline. I get the feeling there's a Japanese or otaku in-joke there that I'm missing. The inline music is unobtrusive and fits the scenes so I consider it a solid efort.
The storyline is pretty episodic, and the characters haven't evolved much (if at all) in their personalities after three episodes. This could just end up being a standard school-life comedy with the only evolution being the love relationship. Kind of like Nogizaka Haruka no Himitsu, but with two girls instead of Yuuto and Haruka. But the individual episodes in Sasameki Koto have managed to set up some classic comedy that surprises even an old guy like me, so this is definitely a cut above NHnH in terms of story, even if Haruka is cuter. (update: The storyline does have its dramatic moments as well. The story takes its characters' feelings seriously, even as it makes fun of their actions.
Spoiler Alert! Click to show or hide
So the tenderness of Ushio and Sumika's first kiss is tempered by the fact that Ushio is wearing an alien mask because it's "just practice."
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All in all, this is a pretty impressive school life comedy that just happens to be a shoujo-ai story. It isn't as slapstick and fan-service oriented (altough there are still a couple of sex-crazed nose-bleeds in the crowd) as a lot of anime comedy is, and that helps keep it fresh and appealing. The closest analogue for the type of comedy you get with Sasameki Koto is probably Hyakko, but S-K actually has a plot.