This series has the makings to become a masterpiece, IMHO. Look elsewhere if you are looking for ninjas, mecha, or other action genres. Otherwise, watch it!
Thematically it presents a thoughtful science fiction scenario, presented as a mystery with tragic overtones. A pastoral, seemingly utopian society is gradually revealed as something more complex, and perhaps sinister, by the use of ...
This series has the makings to become a masterpiece, IMHO. Look elsewhere if you are looking for ninjas, mecha, or other action genres. Otherwise, watch it!
Thematically it presents a thoughtful science fiction scenario, presented as a mystery with tragic overtones. A pastoral, seemingly utopian society is gradually revealed as something more complex, and perhaps sinister, by the use of direct story action, flashbacks to earlier times, and occasional third-party explanations. The latter might be irritating, but they have been rolled into the plot line in a reasonably consistent way.
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(Oh all right, finding a convenient ancient library is a little lame, but it sure speeds things up!)
What makes the series outstanding is its beauty. Elegant drawing, skillful composition, selective use of details, and an unsaturated color palette evoke Japanese woodblocks. The backgrounds, in particular, would be worth hanging on ones walls. The soundtrack is also beautiful, with sources ranging from Japanese instrumental passages to natural sounds to Dvorak’s Symphony No. 9, “From the New World”.
The animation is superior. Motions are not at all jerky. There is no cutting between still images in lieu of actual animation. Of course the animation is still selective — even big-budget feature films usually cannot afford to animate everything — but when figures are talking, their entire bodies are animated, not just their mouths (as can, alas, happen even in currently produced animations of good repute). Even more, a whole
group of figures is usually undergoing animation at once. The director does use still frame interludes, which are often quite stunning, but they serve to pace and punctuate the presentation of the story rather than just cut corners.
It’s too soon to judge the merits of the plot or of the character development, although it is already clear that the characters do
have character. I await eagerly the remaining 22 episodes.
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